Classic cars forum & vehicle restoration.
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Rootes75
Joined: 30 Apr 2013 Posts: 3831 Location: The Somerset Levels
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Posted: Tue Sep 30, 2014 4:36 pm Post subject: Painting Timber |
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I am in the process of buying the timber to make a flat body for my vintage lorry. I've been thinking about how to paint the timber sides etc.
Its a good hardwood, does it need to be sealed before painting?
Also, do you apply paint straight on the timber and then varnish or the other way round? |
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Old Wrench
Joined: 23 Dec 2013 Posts: 226 Location: Essex and France
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Posted: Tue Sep 30, 2014 7:06 pm Post subject: |
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Interesting area, this.
Originally, commercial vehicles were finished by Coach Painters.
As the name implies, their skills were a carry over from coach painting; i.e. the process of finishing horse drawn coaches. Indeed, early self-propelled lorry, truck and wagon commercial body builders simply moved over to the new skills, transferring their skills and in many senses, art.
The process was all completed by hand; brush painting. The ground (base colour) was applied and then multiple coats of varnish, over the top. All paints in those days were lead-based. Now, of course, not allowed.
The old painters (including house painters) used a base paint made from white lead and linseed oil plus turpentine with pigments, ground by hand on a sheet of thick glass.
It was all brush-applied.
http://www.dartmouth.edu/~library/Library_Bulletin/Apr1996/LB-A96-Zea.html?mswitch-redir=classic
Interesting little bit of paint spraying history, here.
http://finishingacademy.com/training/Refinish/Module1/mod1_booth_history.html
Now, to your task, after my digression!
Question One: What type of finished body are you making? (i.e. slat-sided; Solid "plank"?);
Question Two: What type of hardwood are you using?
Question Three: What final colour will you use? |
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goneps
Joined: 18 Jun 2013 Posts: 601 Location: Auckland, New Zealand
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Posted: Wed Oct 01, 2014 2:03 am Post subject: |
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Since this subject has cropped up, perhaps I could briefly hijack it to enquire of Old Wrench and other experts what paint was used on ash body frames and floorboards during the 'thirties; and, more to the point, what would be the most suitable modern equivalent.
All timber components of my Morris Eight are so treated, and since I'm about to correct minor framing details overlooked during restoration, some guidance would be much appreciated.
Richard |
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Rootes75
Joined: 30 Apr 2013 Posts: 3831 Location: The Somerset Levels
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Posted: Wed Oct 01, 2014 8:16 am Post subject: |
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Old Wrench, in answer to your questions;
1. It will be a flat deck body, the deck will be left unpainted just varnished but the sides and riggers etc will be painted.
2. The hardwood being used is 'Sapele', an African hardwood similar to Keruing but a little cheaper.
3. The riggers will be the same colour as the chassis, that is Signal Red and the Sides will be the same as the cab, that will be Copper Brown.
I will be spraying the cab in Cellulose but not sure yet whether to spray or brush paint the timber. |
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colwyn500
Joined: 21 Oct 2012 Posts: 1745 Location: Nairn, Scotland
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Posted: Wed Oct 01, 2014 9:51 am Post subject: |
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My pre-war Austin, has a semi coach-built body having timber to "help" the bodywork rather than an independent wooden frame.
The timber had been simply splashed with the same bituminous chassis paint used on the frame, the insides of the doors and the boot area.
I am pretty sure they weren't treating it with the expectation of it still existing nearly eighty years later....but it does.[/u] |
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baconsdozen
Joined: 03 Dec 2007 Posts: 1119 Location: Under the car.
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Posted: Wed Oct 01, 2014 10:27 am Post subject: |
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A long while ago I did some work for a company building and repairing wooden boats. The paint on these has to survive in water and repeated drying and then soaking. They used a primer (first coat diluted),then an undercoat,two coats of top coat then sometimes varnish. The thing I remember most is that they insisted all the paints were from the same maker and range so that they were compatible.
Most of the underwater surface was protected by a black paint called 'Tarvarnish'. _________________ Thirty years selling imperial hand tools for old machinery(Now happily retired). |
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ukdave2002
Joined: 23 Nov 2007 Posts: 4117 Location: South Cheshire
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Posted: Wed Oct 01, 2014 11:05 am Post subject: |
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15 years ago we had new wooden window frames (soft wood) made for the house and paid for the optional vacuum preservative treatment. There is not the slightest sign of any deterioration in the wood, however trying to get a paint that stays on for much more that 18 moths has been problematic, our decorator (who has 50 years experience) has tried all sorts, they looked great for a year or so after he has painted them, but then the paint begins to come away leaving the bare wood.
So the preservative is doing a sterling job, but cosmetically its a different story!
Dave |
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Old Wrench
Joined: 23 Dec 2013 Posts: 226 Location: Essex and France
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Posted: Wed Oct 01, 2014 11:14 am Post subject: |
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goneps wrote: | Since this subject has cropped up, perhaps I could briefly hijack it to enquire of Old Wrench and other experts what paint was used on ash body frames and floorboards during the 'thirties; and, more to the point, what would be the most suitable modern equivalent.
All timber components of my Morris Eight are so treated, and since I'm about to correct minor framing details overlooked during restoration, some guidance would be much appreciated.
Richard |
Since the ash frames are not visible to the eye, then I would use a long-life timber preservative.
Cuprinol should be OK. You can always add a coat of polyurethane varnish once the preservative has completely dried out.
Problem is professional preserving is carried out in pressure tanks and is expensive and probably overkill.
The main aspect to remember, IMHO, is that interiors of closed panels such as doors (metal external skin; interior trim) suffer from "sweating" as ambient temperature and humidity change. The interior of a car can be warm (even with no heater human beings radiate heat 'cos they are basic "Heat Engines"!) and the external air plus windchill, means the door skin is a much lower temperature and will cause moisture to condense out. |
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Old Wrench
Joined: 23 Dec 2013 Posts: 226 Location: Essex and France
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Posted: Wed Oct 01, 2014 2:54 pm Post subject: |
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ukdave2002 wrote: | 15 years ago we had new wooden window frames (soft wood) made for the house and paid for the optional vacuum preservative treatment. There is not the slightest sign of any deterioration in the wood, however trying to get a paint that stays on for much more that 18 moths has been problematic, our decorator (who has 50 years experience) has tried all sorts, they looked great for a year or so after he has painted them, but then the paint begins to come away leaving the bare wood.
So the preservative is doing a sterling job, but cosmetically its a different story!
Dave |
Softwood being a much more open grain, will, of course, absorb a far greater volume of any preservative. If you think about this for a tick, pine or any common construction softwood, needs "Knotting" before any surface paint treatment is commenced.
Traditional knotting is simply Shellac dissolved in spirit and this, when dry, seals the surface.
Shellac Varnish Sealer was also a very common product we used in the paintshop; mainly to seal fiberglass bodies from the gel coat leaching into the paint coats and also used to seal nitrocellulose prior to painting with synthetic.
Next time your window frames are due for painting, strip off back to bare wood and apply shellac varnish sealer and go from there. |
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Old Wrench
Joined: 23 Dec 2013 Posts: 226 Location: Essex and France
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Posted: Wed Oct 01, 2014 6:04 pm Post subject: |
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Rootes75 wrote: | Old Wrench, in answer to your questions;
1. It will be a flat deck body, the deck will be left unpainted just varnished but the sides and riggers etc will be painted.
2. The hardwood being used is 'Sapele', an African hardwood similar to Keruing but a little cheaper.
3. The riggers will be the same colour as the chassis, that is Signal Red and the Sides will be the same as the cab, that will be Copper Brown.
I will be spraying the cab in Cellulose but not sure yet whether to spray or brush paint the timber. |
The old lead-based paints are no more.
This really leaves little choice.
For the deck, consider Yacht Varnish: very resistance to knocks and abrasion, but expensive.
For the sides and riggers, first sand down well. Seal with Sanding Sealer to fill the grain. Next undercoat with Red Oxide.
Next, flat undercoat, ideally off-white or very light gray: this will allow an even finish and prevent "grinning through", is you use pigments such as blue, red etc.
For top coat, you have the choice of a number. I would spray, rather than brush paint. Working with synthetics is very different from nitro-cellulose: seek manufacturer's advice on thinning and number of coats etc.
I always used to spray a "tack" coat firstly (spattered and very light, wait until this was sticky and then apply a full coat of finish.
The tack coat allows a good bond; synthetics will run easily, form curtains and droops. Be warned!
Practice first!
I suggest contacting specialist manufacturers, such as:
http://www.blackcountrypaints.co.uk/index.php?webpage=standardpaints
http://www.rjstokes.co.uk/ranges.asp?category=2
http://www.paints4trade.com/polyguard-qdp-enamel-258358-p.asp
http://www.rapidpaint.co.uk/heritage-vehicles.html |
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Rootes75
Joined: 30 Apr 2013 Posts: 3831 Location: The Somerset Levels
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Posted: Wed Oct 01, 2014 6:59 pm Post subject: |
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Thanks very much Old Wrench. Very helpful, i shall check out the websites. |
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Old Wrench
Joined: 23 Dec 2013 Posts: 226 Location: Essex and France
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Posted: Wed Oct 01, 2014 7:39 pm Post subject: |
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My pleasure!
When I first horrified my family by leaving the City and joining a local car and heavy commercial dealer (mainly to learn as much as I could!), one day I watched a local sign painter finish a brand new delivery van for a local piano and organ dealers.
The van (mini-pantech) had been built in the company's coach building division, painted and delivered to the main showroom, where I was based, for signing.
I was utterly amazed to watch this man create a full-sized grand piano on each side, replete with wonderful reflections from the three brass foot pedals and the reflection from the woodwork too.
He was also an expert at lining in gold leaf.
Strangely enough, quite a few years later I came to know him quite well, socially and learned he had been an erstwhile artist in Paris in his youth and in order to earn money, once back in England, worked for coach painting firms.
He was able to give me lots of priceless information and knowledge.
I have never ever in life been slow in coming forward and found older men were delighted when youngsters were keen to learn about skills and most important of all, wrinkles!
For example, one of the very best concerned re-finishing accident repairs and lead loaded or "Pudden" filled spots.
No matter how hard I tried, and followed the ICI Belco technical data sheets, I always finished up with a "Shrink-line" around the edge of the repair!
One day I asked a grizzled old paint sprayer where I was going wrong. he gruffly stated, " Huh! Don't listen to all that old "B******s about primer! Lay it on like Snowcem, thick as ol' boots! Let it dry overnight and then nib it down, son!"
(n.b. De-Nibbing is the simple the process of flattening the last coat.) |
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goneps
Joined: 18 Jun 2013 Posts: 601 Location: Auckland, New Zealand
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Posted: Wed Oct 01, 2014 9:06 pm Post subject: |
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Many thanks, Old Wrench—your advice much appreciated.
Richard |
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Bitumen Boy
Joined: 26 Jan 2012 Posts: 1737 Location: Above the snow line in old Monmouthshire
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Posted: Thu Oct 02, 2014 10:02 am Post subject: |
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Old Wrench wrote: | ukdave2002 wrote: | 15 years ago we had new wooden window frames (soft wood) made for the house and paid for the optional vacuum preservative treatment. There is not the slightest sign of any deterioration in the wood, however trying to get a paint that stays on for much more that 18 moths has been problematic, our decorator (who has 50 years experience) has tried all sorts, they looked great for a year or so after he has painted them, but then the paint begins to come away leaving the bare wood.
So the preservative is doing a sterling job, but cosmetically its a different story!
Dave |
Softwood being a much more open grain, will, of course, absorb a far greater volume of any preservative. If you think about this for a tick, pine or any common construction softwood, needs "Knotting" before any surface paint treatment is commenced.
Traditional knotting is simply Shellac dissolved in spirit and this, when dry, seals the surface.
Shellac Varnish Sealer was also a very common product we used in the paintshop; mainly to seal fiberglass bodies from the gel coat leaching into the paint coats and also used to seal nitrocellulose prior to painting with synthetic.
Next time your window frames are due for painting, strip off back to bare wood and apply shellac varnish sealer and go from there. |
Off topic I know, but I think I'd like to try a slightly different approach in this case. I'd be thinking of treating the bare wood with a couple of coats of boiled linseed oil - thinned a little if necessary - which will soak into the timber to a degree and oxidise on the surface to give a good key for the paint. The disadvantage is you'd need a few warm dry days per frame as it can take a while to go off properly, whereas knotting is usually good to go in half an hour or so.
Getting back to the original question, I'd be inclined towards an oil finish for the lorry bed rather than varnish - I reckon something that soaks into the timber is always going to be a better bet where knocks and abrasion are likely than a coating that sticks to the surface. I'm not familiar with Sapele, but suspect something thinner than straight linseed such as teak oil would be better stuff to use. |
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ukdave2002
Joined: 23 Nov 2007 Posts: 4117 Location: South Cheshire
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Posted: Thu Oct 02, 2014 1:37 pm Post subject: |
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Bitumen Boy wrote: | Old Wrench wrote: | ukdave2002 wrote: | 15 years ago we had new wooden window frames (soft wood) made for the house and paid for the optional vacuum preservative treatment. There is not the slightest sign of any deterioration in the wood, however trying to get a paint that stays on for much more that 18 moths has been problematic, our decorator (who has 50 years experience) has tried all sorts, they looked great for a year or so after he has painted them, but then the paint begins to come away leaving the bare wood.
So the preservative is doing a sterling job, but cosmetically its a different story!
Dave |
Softwood being a much more open grain, will, of course, absorb a far greater volume of any preservative. If you think about this for a tick, pine or any common construction softwood, needs "Knotting" before any surface paint treatment is commenced.
Traditional knotting is simply Shellac dissolved in spirit and this, when dry, seals the surface.
Shellac Varnish Sealer was also a very common product we used in the paintshop; mainly to seal fiberglass bodies from the gel coat leaching into the paint coats and also used to seal nitrocellulose prior to painting with synthetic.
Next time your window frames are due for painting, strip off back to bare wood and apply shellac varnish sealer and go from there. |
Off topic I know, but I think I'd like to try a slightly different approach in this case. I'd be thinking of treating the bare wood with a couple of coats of boiled linseed oil - thinned a little if necessary - which will soak into the timber to a degree and oxidise on the surface to give a good key for the paint. The disadvantage is you'd need a few warm dry days per frame as it can take a while to go off properly, whereas knotting is usually good to go in half an hour or so.
Getting back to the original question, I'd be inclined towards an oil finish for the lorry bed rather than varnish - I reckon something that soaks into the timber is always going to be a better bet where knocks and abrasion are likely than a coating that sticks to the surface. I'm not familiar with Sapele, but suspect something thinner than straight linseed such as teak oil would be better stuff to use. |
They were sealed originally with I believe something shellac based, interestingly the sills had to be altered on one pair of windows, the alterations were not treated with preservative and the paint stayed good for years, with hindsight, I'd have not gone for preservative but ensured that the paint was well maintained !.
We fixed the problem a few weeks ago; got them replace with Upvc jobbies, it did grate seeing perfectly sound windows being scrapped
Dave |
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